Easy…A list of Edgar Wright's Twitter thread of films he has rewatched during quarantine, inspired by Letterboxd's own Twitter account…The 15th and the latest edition of TSPDT's 1,000 Greatest Films www.theyshootpictures.com/gf1000.htm The complete list of "1,001-2000" is available This list collects every film from the Starting List that became They Shoot Pictures Don't They's 1000 Greatest Films. Times are tough for this hard-living quartet, who spend their days traveling through small-town America, trying their best to peddle gold-leaf Bibles to an apathetic crowd of lower-middle-class housewives and elderly couples.In going back to their home turf to see what people from the neighborhood were doing career wise, the Maysles brothers ended up finding a great topic for a documentary: Bible Salesmen.Paul Brennan is the focus of this documentary, he is a bit older than the rest of the salesmen and he feels as though…Holy shit is this a great movie. Watched this for the first time last night... and LISTENED to the whole thing on YouTube while at work this morning.While I find a lot of the rhetoric surrounding direct cinema - such as Albert Maysles' own "the natural disposition of the camera is to seek out reality" - to be, at best, somewhat naive, I've always been drawn to the films themselves. As a metaphor for capitalism--a Bible…A fascinating standout of the cinéma vérité movement, The Maysles Brothers really had a knack for capturing a snapshot of a unique time in American history and the colourful characters that inhabited it. The door-to-door salesman has gone the way of the blacksmith. The documentary is the first by the Maysles brothers. This documentary from Albert and David Maysles follows the bitter rivalry of four door-to-door salesmen working for the Mid-American Bible Company: Paul "The Badger" Brennan, Charles "The Gipper" McDevitt, James "The Rabbit" Baker and Raymond "The Bull" Martos. March 16, 2020. (As of 08/13/20) Sort list by last added for latest additions…Doesn't the title of the list explain it well enough? Their films are haunting reminders of a bygone era.Hard to watch at times because of how closely it skims the surfaces of human desperation and self-loathing. These men are pressured to earn big while peddling extravagant ornamental books no one seems to be able to afford, and then get shamed by eachother when they can't meet sales expectations. And it torments them, as they rot in cheap motels reeking of a real-life failure that’s more excruciating than the fictional flunking of Willy Loman or Shelley Levene.Bauer Media Group consists of: Bauer Consumer Media Ltd, Company number: 01176085, Bauer Radio Ltd, Company Number: 1394141Registered Office: Media House, Peterborough Business Park, Lynch Wood, Peterborough, PE2 6EA H Bauer Publishing,Company Number: LP003328Registered Office: Academic House, 24-28 Oval Road, London, NW1 7DT.All registered in England and Wales. A subtler and less bombastic companion piece to Arthur Miller's most famous play, Salesman is an exemplar of nonfictional material shaped and illuminated by sophisticated filmmakers who have absorbed the devices of fictional storytelling. It also documents American commitment to capitalism and the results of it on a completely personal level. I didn't stay in it very long and haven't thought about it in years. There’s no narration here, just harrowing scenes (superbly edited by Charlotte Zwerin) of four Florida Bible salesmen trying every trick not in the Good Book to fulfil their quota.Laying bare the cynical soul of US capitalism and the grip that exploitative religions exert on the ill-informed and the vulnerable, this unflinching classic is all the more sobering because desperate opportunists like Paul ‘The Badger’ Brennan know their potential dupes are as unable to afford the $49.95 asking price as they are. And what is it that we see here? As a documentary it's more of a chronology than anything else, like a certain set of circumstances that make up a life, put on film. Stuff like this is so utterly more compelling than most of the glorified infomercials that pass for much of documentary filmmaking these days; they have a much clearer sense about how both film and human behavior work. And while this does remain a theme throughout the film (particularly chilling is the 'theological consultant'…Coincidentally, both the missing link in the development of the relationship between monetary gain and religion and a comparison between the two.

The central figure of the Bible salesman suggests a particularly apt metaphor for contemporary society: how Homo Spiritualis and Homo Economicus clash and conspire. Read full review The uninterrupted gaze of their camera simply observes with objectivity and despite the warts and all showcase of their thoroughly unglamorous and quite insidious job, it nonetheless inspires deep sympathy from us. Salesman represents a major shift forward in documentary filmmaking as we know it today.Made in the mid-1960s by brothers Albert and David Maysles (Gimme Shelter, Grey Gardens) along with Charlotte Zwerin and released in 1969, the film stands as a landmark in the direct cinema movement. The hopelessness that creeps in to their grind and the difficulty they have selling to people who are obviously living paycheck to paycheck is really interesting.Just a bunch of guys going around talking weird and trying to sell glossy bibles to Cuban exiles in Florida.

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