scellerati—ecco i dubbj spiegati! E poi—After all, he’s a barber, and what else could be hoped for?—“L’argent fait tout.”Bravo! At last the Count went out, to get a crowbar, with which to open the door of the cabinet, the Countess accompanying him. But where’s his canzonetta?Here it is; and, when he appears, I’ll make him sing it. The Count then, without releasing his hold on Figaro, called his servants and guests, who came in large numbers with lights and torches, and bade them to be witnesses of his dishonor. Voi la condiscendenza di venir meco avrete—Madama, eccovi il braccio. Io mi crede a che preferir doveste per amante, come fan tutte quante un signor liberal, prudente, e saggio, a’ un giovinastro, a un paggio.A Cherubino—Cherubin d’amore—ch’oggi sul far del giorno passeggiava quì intorno per entrar.E un maligno con voi ch’ ha gli occhi in testa? Senza riserva, tutto a me palesate. Vaneggio! E con quel dritto ch’oggi prendi su me, finche tu vivi, chiedi, imponi, presclivi.Lasciate mi, Signor; dritti non prendo, non me vò, non ne intendo. But the Countess quickly gained her composure, and the two women now turned the tables upon the Count, who ruefully asked his wife’s forgiveness for his unjust suspicions. Bravo, Don Curzio.Son gentiluomo! Meanwhile, then, I’ll tell my lord that at nightfall you’ll meet him in the garden; and little Cherubino, my ready pupil, putting Why, the Count is gone hunting, and until nightfall will scarce think of returning.

Ma se mai quì sorpresa—per carità, partite!Due parole. You breathe no longer your sighs for her in secret?Dear ribbon!—oh lovely, oh happy, happy ribbon! Figaro viene a ricever Susanna dalle mani del Conte, e si ritira dall’ altra parte vicino a Marcellina. Don’t miss a moment: secure your place for Lyric’s 2021 Season of grand opera, chamber opera, special events, and musical theater. When it came to the trial, however, it was discovered that Figaro was the child of Marcellina and Doctor Bartolo, by which timely discovery every obstacle to Figaro’s and Susanna’s union was removed.Accordingly the festivals took then course. Cherubino stands with downcast eyes. Gently—a footstep—he’s coming!Ah, never give me that title so detested; it still reminds me that I must needs abandon my dear and kind protectress.Oh, look, now, my lady! IL CONTE E non mi mancherai? Wolfgang Amadeus Mozart Tuck up his sleeves, now, above his elbows, I play you, so that the dress may sit upon him with grace and lightness.Oh, when a ribbon has bound the hair up, or only touch’d the skin of—of some one.Oh, his rage will be dreadful—what’s to be done now? I have broken a marriage much more advanced than this is; for slander often, if well aimed, can work wonders.

la vendetta, an aria for bass from the Italian opera Le Nozze di Figaro by Wolfgang Amadeus Mozart. Varie sedie.A magnificent Chamber, with an alcove. The Countess now received graciously the passionate words of her husband, intended for Susanna. This is the meeting hinted at in the letter.Ah, che testa! Alfin di che si tratta? Barbarina and Marcellina follow.Dashes him off, and rushes again into the pavilion.The Countess comes from the pavilion, and kneels to the Count with an air of playful malice. So, so; he’s not departed? ACT I. SCENA I.—: Camera quasi smobiliata con un seggiolone nel mezzo. / Deliro! I’m off now, and quickly Cherubino will send you; for to you I leave it to disguise him.How it pains me, Susanna, to think that Cherubino should have o’erheard the Count thus himself exposing. egli ha due braccia di rossor sulla faccia!Oh, no; his lordship would ne’er confer such favors on the lowly and simple: but he means to be present at our marriage.Your modern husbands all act in this fashion. But the endlessly resourceful Susanna is too smart for him, and the two servants and the Countess join together to get the better of the Count. Duettino - Crudel Perche Finora This song is by Wolfgang Amadeus Mozart and appears in the opera Le Nozze di Figaro (1991). E, sopra tutto questo, al mio braccio impresso geroglifico.The dispute is thus settled: he must pay her, or wed her.The sentence is judicious: pay you must, or else wed her. The Countess protested she had been talking to herself. Come my lord when he pleases, there will I await him.All is just as I left it; now your decision—will you open or not, ma’am?Pray you forbear, sir, and attend for a moment, do you think I could ever to my duty be false?Really, you poze me; but I must know, Signora, who is hid in yon room?Well, you shall know it; but hear me first with calmness.Zounds! But ’tis plain you’re confounded.Truly, it seems that my maid disturbs you more than she does me, sir.You’re right, precisely. The Count’s valet, Figaro, is engaged to the Countess’s maid, Susanna. Perfidi! Arousing thus the Count’s suspicion, and disturbing his peace of mind, Figaro calculated better to prepare him for the snare which was to be laid. Duettino IL CONTE Crudel! Let us not waste the time, though. Susanna si aggiusta davanti uno specchio, un capellino della Contessa in testa. Almaviva, inwardly rejoicing at the turn affairs took, and thinking to profit by it, evinced great interest in the case. Dunque gli pone il capello da uffiziale in testa.Usciono le Paesane. Suddenly Cherubino came in, who, it seems, had made an appointment with Barbarina, the gardener’s daughter, on the same spot. Original Lyric Opera production

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