dulcimer wood sounds

It is very effective in transferring energy from the strings to the soundboard and produces a bit more sustain than other woods. It'ssimply the best darn band instrument being made. Some feel that the teardrop’s thinner, simpler sound is closer to the roots of the dulcimer and preferable for old time music. Their hallmark is a full, round, almost piano-like, bass response. They will play loud and soft.

I have long preferred birch plywood. David's various choices of western red cedar, redwood, and sitka spruce are excellent however, and I am very happy with the sound of my Bill Spence Edition. Instead, the relative size of a dulcimer has a much more noticeable affect on its sound.

You just have to judge the individual instrument.The wood used in the soundboard can make a slight difference in the sound of the instrument; personally, I've always liked a "warm" sound and have selected redwood for the soundboard on all my dulcimers.

Softer wood is much lighter weight!

Dulcimers with glued down soundboards typically have a longer sustain and a smaller dynamic range, making it more difficult to play expressively.

Mahogany is a tropical wood grown in many countries. A chromatic dulcimer has the same tones as the portion of the piano keyboard that covers the range of the dulcimer. The louder you thit them, the louder they will play, or you can play softly and it will respond. I tune the designed high D on the bass bridge to D#. These almost-chromatic dulcimers are not larger and not perceptibly heavier than their purely diatonic versions. The soundboard on a concert grand piano will be 9 feet or more. This set back gives the soundboard more freedom to vibrate. The back sometimes takes a lot of abuse. The LISTEN file starts with a DAC dulcimer and the second time through it is played with a CGC dulcimer. The back and sides are bookmatched Walnut. The main thing that really makes David's Dulcimers stand out from most other hammer dulcimers is that his dulcimers have a much greater dynamic range. This dulcimer features a bookmatched Aromatic Red Cedar top for a full, warm sound.

I far prefer a floating soundboard to a glued-down soundboard. We offer combinations of woods to give the instrument more dynamic range and expand the voicing capabilities. It usually brings a brighter sound to an instrument that the softer redwood or cedar tops. When a dulcimer has a large dynamic range, the instrument becomes potentially (depending on the skill and ear of the player) much more expressive.Players prefer a variety of soundboard woods. My David Lindsey Concert Grand is a 15/16 instrument with seven chromatic bridges in the very high and very low ranges. Redwood tends to be the most responsive soundboard material for players with light touches.Mahogany soundboards on instruments did not come into use until the 1920’s and then the wood  appeared only on low-end guitars. Sitka spruce.

David's Concert Grands and Spence Editions have the floating soundboard, side bridges and internal bracing which gives it more power. Red and white spruce tops are particularly prized and often found as the soundboards on high-end guitars.

Tonewoods used for dulcimer soundboards include spruce, mahogany, western red cedar, redwood and birch.

David's dulcimers are very responsive to your touch. Sandy is the initial contact for musicians inquiring about dulcimers, and assists George in ensuring that the specific needs of each customer are met. Listen and compare if you can. If you play with other musicians it doesn't get in the way of the other instruments. A hammer dulcimer that has a soundboard that is not attached to the frame at any point is called a floating soundboard. They rarely have all of the chromatic tones over their entire range. The sound quality of a hammer dulcimer is dependent upon five factors: the wood of the soundboard, the design of the instrument, the quality of the builder’s art, the striking surface of the hammers, and the performance style of the player. If, however, jazz or classical music is at the center of a player’s style, a chromatic instrument may be in order. I play both chromatic and diatonic dulcimers. The high-range tones will be in better balance on a larger soundboard.

Our thickness-sanded bookmatched 2-piece soundboard sets are sized for traditional dulcimers.

PDF: Midi Also, remember your choice of hammers will greatly affect the sound of the instrument.The diatonic scale is the familiar eight-tone, octave scale of do-re-me-fa-so-la-ti-do. Spruces are among the most used type of soundboard wood and the most commonly found species is Sitka spruce. Cherry is less dense and less hard, not as bright as maple, possibly, but definitely produces less sustain.4 The back promotes mostly larger wave length, lower pitch sounds that give the instrument a deeper voice, sort of like the “ker-plunk” you hear when you drop a rock into an old fashioned water well. Rosewood is darker and mellower in tone. After playing the "Baby Grand" for several years, I now play the "Bill Spence" model and find the volume, balance and quality to meet my needs and expectations.Size does play into the overall sound of the instrument - not only the volume but also "mass" and "richness" - compare sounds if you can to help you make a selection.I've played The Spinet, The Bill Spence and The Grand - each offers a uniquely "different" sound from other builders - you won't go wrong with any of them~When the soundboard is attached permanently to the sides and endrails, this is called a glued-down soundboard.

The back and sides are bookmatched Walnut. The overall effect depends on what goes into the rest of the instrument, the materials and how it is designed, such as bridges and bracing.

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